First Look: DEAD afterlife – The Screenplay by Michael Joy The First 5 Pages:   EXT. – ROAD TO THE CEMETARY – DAY The funeral procession drives down a long rural road towards an isolated cemetery. DRIVER JOE, a middle aged man wearing dark sunglasses and driving gloves, puts his foot on the gas accelerating …

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Wes Craven’s A NIGHTMARE ON ELM STREET 1A. INT. (MONTAGE). 1A. NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS, all CLOSE and teasing. — A man’s FEET, in shabby work shoes, stalking through a junk bin in a dark, fire-lit, ash- dusted place. A huge BOILER ROOM is what it …

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THE ARMY OF DARKNESS Screenplay by Sam Raimi and Ivan Raimi January 3, 1991 Shooting Script 2/26/91 —————————————————————————— 1 GRAINY BLACK AND WHITE – CLOSE-UP – A MAN’S DESPERATE FACE 1 This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to …

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AMERICAN PSYCHO by Mary Harron and Guinevere Turner Based on the novel by Bret Easton Ellis Fourth Draft November 1998 FOR EDUCATIONAL PURPOSES ONLY INT. PASTELS RESTAURANT- NIGHT An insanely expensive restaurant on the Upper East Side. The decor is a mixture of chi-chi and rustic, with swagged silk curtains, handwritten menus and pale pink …

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THE EXORCIST EXTERIOR- IRAQ- EXCATVATION SITE- NINEVEH- DAY Pickaxes and shovels weld into the air as hundreds of excavators tear at the desert. The camera pans around the area where hundreds of Iraqi workmen dig for ancient finds. The caption Northern Iraq appears at the bottom of the screen as the digging continues. The camera …

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The Blair Witch Project In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary called “The Blair Witch Project”. A year later their footage was found. Man off camera: You look a little blurry. Let me zoom out okay? Heather: Okay. Huh. Man: Okay got you. Heather: …

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  J A W S Final Draft Screenplay by PETER BENCHLEY PROD. #02074 PRODUCERS: RICHARD ZANUCK DAVID BROWN JAWS 1 OVER BLACK 1 Sounds of the innerspaces rushing forward. Then a splinter of blue light in the center of the picture. It breaks wide, showing the top and bottom a silhouetted curtain of razor sharp …

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HALLOWEEN a screenplay by John Carpenter and Debra Hill SHOOTING DRAFT REV. 4-10-78 SCENE/SHOT NUMBERS REMOVED MAIN TITLE SEQUENCE OPEN on a black screen. SUPERIMPOSE in dark red letters: HALLOWEEN Then we slowly: FADE IN TO: Darkness, with a small shape in the center of the screen. As MAIN TITLES CONTINUE OVER, CAMERA SLOWLY MOVES …

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 THE EVIL DEAD [Daytime – Inside the Delta 88] Scott: Hey Ash, where are we? Ash: Well, we just crossed the Tennessee Border. Ash: Which would put us… Scott: Yeeeah? Ash: Which would put us… Ash: Right… Here. Ash: What the hell was that? Are you trying to kill us? Scott: Hey! Don’t blame me! …

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FREDDY VS JASON A Screenplay by: Peter Briggs FADE IN: EPIC MUSIC O.S., the MAIN TITLES ROLLING over a series of medieval WOODCUTS. SINISTER IMAGERY – monsters, demons, torture devices – DISOLVING into one another, then we… OPEN ON: EXT. HILLSIDE PASS – SUNSET (17TH CENTURY) Lush green fields and vineyards, very like the Napa …

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